cybergrind

It’s a nippy night in Baltimore, standing in the courtyard of the Church of the Guardian Angel. Nestled within this nook is an unsuspecting basement that houses The Undercroft, one of the beating hearts of Baltimore’s next generation of DIY indie music. Members of up-and-coming local punk legends

The projects that cybergrind veteran Aaron Spectre has brought to the table as Drumcorps have embodied chaos and dissonance. From the beginning, their music has exhibited the high octane intensity of breakcore while incorporating elements from the worlds of industrial metal and mathcore. Thus, the release of Creatures feels like

“From the start, my vision for (SISSY XO) has been to create the most vulnerable and emotionally violent form of expression that I could,” Leda opens up to me in a text interview.  “I wanted to express my anger and hurt and internalized self-hatred outside of metaphors or lyrical value.

Reviewing the latest multi-genre split from Ten-Headed Skeleton and Death Envy

I was sitting in a public library the first time Cybergrind entered my life. It’s the only place I could have been. I didn’t have internet at my house, and the radio in rural Iowa certainly wasn’t playing anything new and exciting. There was no local scene,

Liverpool, UK based cybergrind duo Victim Unit offer up an exciting smorgasbord of cybergrind, noise, and avant-garde jazz on their most recent release, IF NOT, Y NOT. The listening journey begins as it ends: terrified and alone, fully embracing their genderqueer individuality, and with a revolutionary stylism that defines Victim